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Reviewed by Aaron Haynes
When
four years pass in between movies in the same series, it's
always extremely difficult to capture the magic and spirit of
the original, especially in the 3dmm community, where movies
released early on start to take on a legendary status among fans
-- VGN2 pulled it off like it was nothing. It has a sort of
charm and innocence that make it more endearing than almost any
other movie that's been released.
One of the most difficult things for any sequel is coming up
with a premise that transcends just making a sequel for its own
sake. The entire scope of this movie's premise is explained,
examined, and critiqued in the first 90 seconds. Justin and Mike
have wisely avoided trying to turn their star series into
anything other than what it is; a clothesline for videogame
jokes, stolen sound effects, running gags, and frequent stabs at
their own dignity (whatever they may have left). Surprisingly
perhaps to them most of all, the way these things work together
and enhance each other in the finished film have actually made
for one of the most watchable movies in 3dmm. Seriously; I've
seen it about ten times.
One of the most fun aspects of the film is also the most
dangerous one to attempt, especially in the 3dmm community;
Justin and Mike pre-empt reviewer criticisms by providing their
own running commentary on how bad the film is the whole way.
Mike, the writer, turns to Justin, the animator, and says,
"That's supposed to be Toad??" The Galaga Pilot feels strangely
suspicious that he's just a throwaway character to tie up the
'sloppy subplot' and keep more that one main character on the
screen when one of the others disappears for a while. There's
even a neat moment when, flying through a stream of colors to
their next videogame parody, Justin and Mike the characters
wonder how much longer they'll have to put up with the poor
pacing of Justin and Mike the directors: "How many of these
stupid games do we have to go through, anyway?"
Usually when this kind of thing is attempted, it comes off
either as false modesty for cheap laughs (when it's from a
skilled director), or too close to the truth for the viewers
(when it's in a film without much else to offer). But Videogame
Nightmare 2 is simply too good-natured and endearing a comedy
for it to be a detriment. Justin and Mike come off as the
innocent-looking kid, grinning from ear to ear, who could get
away with anything. It's a remarkably self-aware film at just
the right moments, when you think they've gotten too
self-indulgent for their own good ("Uh, Mike, the Matrix joke
ended two minutes ago."). It's as if they're watching the movie
along with you, laughing at their own badness, but repeatedly
saying, "Dude, it'll be worth it. Keep watching."
If you were to look at the film on the critical level, refusing
to give in and go along for an amazingly fun ride, there are
several flaws that stick out (and a choice few that do even when
you've been won over). The construction of the film is nothing
mind-blowing, though there wasn't really anything that was
painful to look at. Animation was never below the competent
level, and I really enjoyed the way several things moved; The
Lost World parody in the Pokemon sequence, the way Toad does the
Nazi salute as he goes up the steps to the rocket, the way Yoshi
swings the chainsaw, looks around, and says, "Groovy." The voice
acting is a bit weak in a few places, but only because the
directors are so in love with their jokes, which is not a bad
thing (and especially not for this movie). And some scenes drag
(by which I mean Bomberman, not Mario Party, which I'm
apparently in the minority for genuinely enjoying and wishing it
had gone on longer).
And there are moments that are just pure genius. The calculated
use of default 3dmm sounds (the Ahh! sound, hearing the
maniac/monster/baby laugh at bizarre moments) still cracks me
up. The Mushroom Land Chainsaw Massacre has brilliant writing
("Right. So, Justin's dead. But if I just think of a plan...").
The elevator gag, which I wished had gone on for a few more
floors. When the ship's computer starts singing "Daisy." When
Justin and Mike use the ejection seats, which end up falling
right back into the ship. And best of all, the music video
sequence is practically destined to become one of the most
memorable things from a 3dmm film, EVER. And not just because I
did the Blaster Master clip near the end.
I could go on for hours, folks. Let them win you over and you'll
have one of the most enjoyable experiences you've ever had with
this program. This will be on my top five list for a long time,
and is one of the rare movies I can sit down and watch beyond
the second or third (or tenth!) time and still have a blast
with.
Critical Score: 92/100.
Personal Score: 100/100.
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