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Reviewed by Jon Barton
Vlarion
4 represents the pivotal moment in the entire saga, not only
because it is the most emotive of the four but also because
Aaron at times manages to throw off the FF style fights for some
actual full on ruckus, making the FF battles only more
interesting when they come around. Also, much like the sewer
panning sequence in the third's climax Aaron makes full use of
an evident range of new understanding of 3dmm, using it to his
full potential when directing the penultimate scenes and of
course the final battle itself. As a result the saga's last
stages are played out with some genuinely powerful moments and
panache and by now the audience are drawn to the story in such a
way that these characters remain vastly important to what we
care about.
The climax is entirely fitting for the movie. I watched it and
it didn't feel at all like the end of a film but the end of
the films, and there is a real sense not only of the
uplifting nature of the ending after such a devastating battle
but also a real sense of achievement and triumph in the
audience's mind, if you were like me you committed to the story
and the values it addresses. Vlarion 4 in the best sense of the
word makes the audience feel a very genuine sense of
gratification, and that is something rarely achieved, even in
films made presently. A rare thing too that such power can be
held in films so seemingly complex. While the plot makes up a
labyrinthine structure of good and evil the basic concepts
remain. Throughout the movie the heroes have remained close, and
we are reminded that despite their magical roots they are indeed
still human. The plotline surrounding the character of Brian for
example is essential to the story because it serves to remind
the audience of what it is that is keeping the good together, a
force constantly fighting against the dominion of evil, which by
now is reaching an ultimate high.
Ultimately the Vlarion saga may have limited appeal. The RPG
nature will not appeal to all, and indeed such a complex
approach to fantasy and indeed genre as an institution may also
confuse its audience. Despite this, Vlarion comes with many
contradictions, in order to truly appreciate Aaron's success
looking beyond these contradictions is very important. And
indeed, not only do these movies represent iconography so often
presented (Hirolix is now an archetype of HMC's) but they also
lead directly into the events of the Alternate series which will
undoubtedly reach a groundbreaking climax with the Alternate
version of this movie. I was deeply overwhelmed and moved by the
Vlarion movies, and no doubt an audience willing to commit and
look past the old-school nature and sometimes poor direction
will enjoy them just as much as I have. I heartily recommend
them. For all their flaws they remain key to the reasons why
3dmm is so widely used by this community, and with that in mind
the Vlarion movies will last as long as the community will.
9/10
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